|
1.
|
Evolution of Different Taals in Indian Music by Prithwiraj Bhattacharjee
|
2.
|
Evolution of the Language of Tabla by Prithwiraj Bhattacharjee
|
3.
|
Involvement of Tabla in Different Genres of Indian Music by Prithwiraj Bhattacharjee
|
4.
|
Learn to play the Harmonium with Daniel Tucker by Haresh Bakshi
|
5.
|
Beginner Ragas by Pritam Bhattacharjee
|
6.
|
Neelkauns, A New Raga – An Inner Calling by Pritam Bhattacharjee
|
7.
|
Pandit Bhimsen Joshi - A Tribute by Vibhaker Baxi
|
8.
|
LINK: Intro to exotichub by Haresh Bakshi
|
9.
|
The lowest note ever recorded by Haresh Bakshi
|
10.
|
Notes on Pentatonic Raagas by Shankar Anant
|
11.
|
Portal of Digital Indian Music - iMusti.com by Haresh Bakshi
|
12.
|
Dr Praful Kelkar's demonstration of Shruti-s on Sarod by Haresh Bakshi
|
13.
|
Kailas-baani Todi by Haresh Bakshi
|
14.
|
Sarod maestro Ustad Ali Akbar Khan passes away by Haresh Bakshi
|
15.
|
A new raga?: Niranjan Kalyan by Haresh Bakshi
|
16.
|
Music, Tradition and the Internet - Part V - A student's perspective by Shankar Anant
|
17.
|
Review of the book: 22 SHRUTIS and Melodium by Haresh Bakshi
|
18.
|
The Music and the Muse - An Identity for Kumar Gandharva by Prateeksha Sharma
|
19.
|
Characteristics of Kalyan Ang Raga-s having both the madhyam-s by Dhara R. Bakshi
|
20.
|
Gharana - 2: Kirana Gharana by Dhara R. Bakshi
|
21.
|
Review: Meragana, an online Hindi karaoke music site by Haresh Bakshi
|
22.
|
Music and The ICC World Cup 2007 by Haresh Bakshi
|
23.
|
A note on Podio India by Haresh Bakshi
|
24.
|
Upcoming review: Hindi karaoke music site by Haresh Bakshi
|
25.
|
Gharana: Gwalior Gharana by Dhara Ruchir Bakshi
|
26.
|
A Vocalist is Born by Zekria Rahin
|
27.
|
Review: FlexiMusic Generator by Haresh Bakshi
|
28.
|
Review: FlexiMusic Composer by Haresh Bakshi
|
29.
|
Review: FlexiMusic by Haresh Bakshi
|
30.
|
Review: RiyazStudio by Haresh Bakshi
|
31.
|
Legendary Singer Mukesh by Dr. NSD Raju
|
32.
|
Very useful accompaniment software for Indian music by Haresh Bakshi
|
33.
|
Some basic harmonic facts -- a summary by Yahya Abdal-Aziz
|
34.
|
Gharana - An Introduction - 1 by Dhara Ruchir Bakshi
|
35.
|
Music, tradition and the Internet -- Part IV by Haresh Bakshi
|
36.
|
Music, tradition and the Internet -- Part III by Haresh Bakshi
|
37.
|
Music, tradition and the Internet -- Part II by Haresh Bakshi
|
38.
|
Music, tradition and the Internet -- Part I by Haresh Bakshi
|
39.
|
When India Conquered Greece:Hindi Films of the 50s in Greece by Dr. Helen Abadzi
|
40.
|
Raga Vijog by Haresh Bakshi
|
41.
|
Raga Hindol by Shubhada Moghe
|
42.
|
How to secure your PC by Rishabh Bakshi
|
43.
|
Chatarang by Shubhada Moghe
|
44.
|
Ragalakshan by Shubhada Moghe
|
45.
|
Love Music, Learn Music – 2 by Haresh Bakshi
|
46.
|
Flamenco from Andalusia - An introduction by Simon Zolan
|
47.
|
A short analysis of RAGAS and FLAMENCO by Simon Zolan
|
48.
|
Ravikiran’s concept of Melharmony by Vikas Mouli
|
49.
|
Harmonic Entropy by Paul Erlich
|
50.
|
Kattais and shruthis by Dr. P Venkatraman
|
51.
|
WAAH!: The ecstatic exclamation of appreciation by Haresh Bakshi
|
52.
|
Compositions of Haresh Bakshi by Haresh Bakshi
|
53.
|
Love Music, Learn Music – 1 by Haresh Bakshi
|
54.
|
Gwalior Gharana: My lineage by Haresh Bakshi
|
55.
|
Renaming the raga PAHADI as PARVATI by Haresh Bakshi
|
56.
|
Jitendra ji's magnificent Madhuvanti on Samvadini by Haresh Bakshi
|
57.
|
Sawaal-Jawaab, Concerto grosso, Syncopation etc. by Haresh Bakshi
|
58.
|
Terms: Jugalbandhi by Haresh Bakshi
|
59.
|
Review of CD: TABLA Vol. 1 by Haresh Bakshi
|
60.
|
Review of Antara Multimedia Guide to Indian Music by Haresh Bakshi
|
61.
|
Thevaram: Purifies the soul; pleases the ear by T R Ramachandran
|
62.
|
Derivation of the frequencies of the 12 notes by Haresh Bakshi
|
63.
|
Chatura Pandit: V N Bhatkhande by Ramesh Gangolli
|
64.
|
The twenty-two Shruti-s of Indian Music by Haresh Bakshi
|
65.
|
Chromatic (12-note) Scale: Indian vs. Western by Haresh Bakshi
|
66.
|
Twelve notes of Indian Music by Haresh Bakshi
|
67.
|
ThaaT-Mela Equivalence by Haresh Bakshi
|
68.
|
Table of the sixteen note names in Karnatic music by Haresh Bakshi
|
69.
|
The table of the seven notes and their names by Haresh Bakshi
|
70.
|
Review of book by Dr. K Vardarangan by Principal Vasanthamadhavi
|
71.
|
"Srutis and Srutibheda" by Dr. K. Varadarangan by Haresh Bakshi
|
72.
|
Karnatic Music by Haresh Bakshi
|
73.
|
Raaga Charukeshi by Shubhada Moghe
|
74.
|
Terms: Sargam by Haresh Bakshi
|
75.
|
Terms: Notation - Notation Systems in Indian music by Haresh Bakshi
|
76.
|
2-, 3-, and 4-note Scales and Raga-s by Haresh Bakshi
|
77.
|
How to practice with the Voice Lesson CD by Haresh Bakshi
|
78.
|
Terms: Raaga - Creation and Characteristics 1 by Haresh Bakshi
|
79.
|
Announcing the new raga Nileshwari by Haresh Bakshi
|
80.
|
Announcing ICMACMS by Haresh Bakshi
|
81.
|
Chamber Music - The spirit of collaboration by Haresh Bakshi
|
82.
|
Terms: Anga by Haresh Bakshi
|
83.
|
Samvadini Samrat Pt. Manohar Chimote by Capt. Sanjay Gahlot
|
84.
|
Vivadi swara-s by Haresh Bakshi
|
85.
|
Announcement: Smt. Alkaji's Atlanta concert by Narayan Sardesai
|
86.
|
Pt Manikbua Thakurdas:A Legendary Musician No More by Shubhada Moghe
|
87.
|
How Do We Identify A Raag When We Hear It by Tarun Talwar
|
88.
|
Raga Pahadi:Majestic Maharani of Mountain Melodies by Haresh Bakshi
|
89.
|
Name for certain kind of notes occuring in a raaga by Haresh Bakshi
|
90.
|
The Alluring Music of Madan Mohan by Ravindra Bivalkar
|
91.
|
Immortal Musical Phrases Part I by Haresh Bakshi
|
92.
|
The GAT: Raaga Yaman and Yaman Kalyan by Haresh Bakshi
|
93.
|
A note on Devaki Pandit and her Music by Hemlata Marathe
|
94.
|
A Note on Raga Kedar by Haresh Bakshi
|
95.
|
Shruti Lattice Diagram & Shruti Ratios by Courtesy: Paul Erlich
|
96.
|
Notes on Ragas and Tanpura Tuning by Haresh Bakshi
|
97.
|
Indian Music For Newcomers by Haresh Bakshi
|
98.
|
Terms: Pakad by Haresh Bakshi
|
99.
|
Indian Notation Systems by Haresh Bakshi
|
100.
|
Genres in Indian Music by Haresh Bakshi
|
101.
|
Shruti by Haresh Bakshi
|
102.
|
Music in Indian Movies by Haresh Bakshi
|
|
|
If you wish to contribute an article here, please contact us using the Feedback link on the left.
All content on this site is © Copyright 2001, SoundOfIndia.com.
All rights reserved. No material in part or in full from this site may be reproduced without written permission.
|
|