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 | Article: The table of the seven notes and their names
 
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	| By Haresh Bakshi |  
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    Table 1: 
Indian Classical Music: The seven notes and their names
      | Note Name | Short form | Pronounced
as | Western Name |  
      | Shadja | S 
 | Sa 
 | Do 
 |  
      | Rishabha | R 
 | Ri/Re 
 | Re 
 |  
      | Gandhara | G 
 | Ga 
 | Mi 
 |  
      | Madhyama | m 
 | Ma 
 | Fa 
 |  
      | Panchama | P 
 | Pa 
 | So 
 |  
      | Dhaivata | D 
 | Dha 
 | La 
 |  
      | Nishada | N 
 | Ni 
 | Ti 
 |  
 Short forms
used: ICM for Indian classical music; KM for Karnatic music (of South
India); HM for Hindustani music (of North India).
 
 The following
seven notes (sapta swara-s) comprise the heptave?? (saptaka) in 
ICM:
 
 The full
Sanskrit names of those notes, respectively, are shadja, rishabha,
gandhara, madhyama, panchama, dhaivata, and nishada. When singing, they are pronounced, respectively, as Sa, Ri (in KM)/Re (in HM), Ga, Ma, Pa, Dha, and 
Ni.
 
 The
corresponding Western names are Do, Re, Mi, Fa, Sol, La, and Ti.
 
 
2003/11/24
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